Someone else f(l)ailing rather is Tom, over on The Weirdie-Beardie Chronicles. Apparently his Master is 42 as of last Sunday, and is feeling his age. I say pah! to that as a hardened 44 year old myself — but it’s true that at certain ages certain things seem to turn and turn again.
In response I thought I’d post a poem from How to Be a Dragonfly, about the 42nd prime number. Writing this one just about killed me, for some reason. Well, I know why: the whole book waited on this poem before going to the final edit — the last poem, the 42nd poem, about the 42nd prime number. The confluence of it all just did my head in.
Reading it now, I try to remember the source of all the fuss. I remember that I wanted it to be about (if there is such a thing) the mystery and impermeability of — well, art. Even though all my poems were going into a book, somehow to be ‘understood’ by a larger audience… I wanted nevertheless to hang onto their essential nature, to remind myself anyway of central things that can’t — refuse to be — captured.
Now I see why it was so rough. Trying to capture something I didn’t think could or should be captured. Threw the whole book into question. Ack! Talk about a rock and a hard place.
Here it is, anyway. I hope your Master takes heart, Tom. If nothing else, maybe it says that we are in this for deeper, underwater things, for glimpses. Life out-manoeuvres us and our logic. Which is probably a good thing too.
Prime Number 42
We need to know you’re for real, not just some illusion, but bona fide one of a kind.
After all, almost everything is made up of components, the pieces of our lives: foundation, construction, selling point. Everything has angles and fractions. So it makes sense that we look for second thoughts, for other hands, and even, etc. First we look for a way to hook you and reel you in.
On screen, your seven point eight million digits snake down in scales, a shimmering skin. We throw everything at you, all manner of dissection, but the surface holds — it’s not that long before we have to believe what we’ve always known: that nothing can break you, or make you, for that matter. Your lowest common denominator is only ever you.
We get exactly what we came for, and throw the rest back in. Here, you can pretend: one swish of your tail, and you’re gone.




7 comments
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September 18, 2008 at 9:33 am
Tom
You are for real, Patricia.
“Your lowest common denominator is only ever you”-
how absolutely true. How succinctly and elegantly you get to the bottom of it all.
Thanks for posting it here. I have read How to be a Dragonfly…and have always thought it might be translated as How to be a Human Being…something I’d like to try out one day…but for the moment, being a dog’s just fine…
One swish of my tail, and I’m gone…
Tom
September 18, 2008 at 9:52 am
pdom
Gee shucks. Thanks Tom.
xxoo
September 18, 2008 at 11:16 am
Nancy
The dog in me is all ears
September 18, 2008 at 11:40 am
pdom
Love it. Hello friend!
xxoo
September 18, 2008 at 2:14 pm
Valerie
Oh my God, that poem is sublime! What must we Americans do to get the publishers here to sell your books on THIS side of the pond? Shall I start a letter writing campaign? A fan club? American readers need your words too!! Seriously, Patty, what can we do so they will sell your books over here?
Val
September 18, 2008 at 4:08 pm
pdom
Val, you are too kind. Poetry books just don’t make money, so no one is ever interested in them. Mine is published by what many consider to be the best independent publisher of poetry — but they have no connections with international presses. The only option would be to send out the collection to Stateside poetry presses, one by one, and see what happens. And you know how bad I am at sending things out. Agents too are a non-starter: no money!
Anyway though. I’m putting your books in the post. This is silly!
xxoo
September 18, 2008 at 4:23 pm
Valerie
Oh well. The cruel realities of art. I guess it’s always been an uphill battle. Just a suggestion: The New Yorker takes poetry submissions via e-mail….